DV for Teachers

learnDynamicMedia – Final Cut Pro User Chooser: “a User Preferences Manager written in Applescript. When first run it will creates a Final Cut Pro Users folder in the Preferences folder, creates a Default user and copies the current Final Cut Pro Preferences file to that default user folder.” Multiple users can preset and save their FCP preferences on a lab Mac between edit sessions. It seems very nice… but I haven’t tested it yet. If you do, let me know.


Ken Stone’s Final Cut Pro page has a number of updates:


    RTMac – Audio and Video Wiring Schematic – RTMac FCP Settings

    One-Man-Band Audio

    FCP 2.0 – for FireWire DV Editing
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November 13, 2001 at 7:58 am Comments (0)

Working on the SIGGRAPH proposal with Barbara Helfer from Ohio State. We’re planning an all-day course to help computer graphic artists and animators learn the basics of editing so they can present their work more effectively.


O’Reilly Network: Mac OS X 10.1: The Real Mac OS X [Nov. 09, 2001] David Pogue, Mr. Missing Manual himself, blurbs his latest O’Reilly book at… O’Reilly. I’m going to buy it.


RUMOR: Mac OS Rumors says: “Apple apparently expects to put the new Final Cut [for OS X]into beta shortly, and hopes to have a release by January.” END RUMOR I don’t normally report rumors, and this may be complete hooey, but this is the application that would finally send me into OS X full-time. Well, except for when I’m working in After Effects….

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November 12, 2001 at 7:56 am Comments (0)

Teach broadcast production or broadcast journalism?
Here’s a case study of how Frontline responded to the September 11 attacks: Anatomy of a Fast-Turnaround Documentary. “Within hours, our executive producer, David Fanning, told us to prepare something to air as soon as possible. Two days later, we broadcast on PBS a substantially new one-hour documentary, Hunting bin Laden.”


DV : Not Fragile (Not Likely): “Web video as we know it today is still in a very fragile state, technically and politically speaking.” Nels Johnson at dv.com:



Why didn’t Microsoft do a better job of informing the public? Partly to have fun at Apple’s expense, of course. Why didn’t Apple put an alert on its Movie Trailer site right away explaining why Windows users might have trouble viewing Doug Werner’s QuickTime clips until Apple’s own ActiveX was ready? Maybe Apple was caught off guard, didn’t want to admit that so much depended on a weak link, hated the idea of using ActiveX until it was forced to, or some combination of these conditions. Either company could have softened the blow and enlightened the user.


FCP Users Group
Based on last night’s meeting, it looks like will have a viable Atlanta Final Cut Pro Users Group. I enjoyed the meeting, and look forward to learning more about the program and about how other editors in the area use it. One editor last night said that he used the film look settings Eric showed us last night on a commercial for a client, and they liked it so much they hired him to do four more commercials. Collaboration and sharing has a place alongside competition, and everyone can win. The pie is big enough that just about everyone can have a piece, it seems, and I hope things continue that way.


Many thanks to Jim Kanter for getting this going.

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November 9, 2001 at 8:07 am Comments (0)

Live blog of the New Atl FCP User’s Group

9:15 p.m. No-o-o, I didn’t win, but a former student from my GSU teaching days did win it. He works at a local production and post house. Congratulations, Richard.

9:10 p.m. Eric is showing the Color Key tutorial from the Secrets of FCP CD. Nice lesson, good instructional design, useful tools for other effects effectively demonstrated. The crowd seems to like it. He’s also handing out raffle tickets for some kind of drawing – ooh, maybe I’ll win a prize!

9: 05 p.m. Cheap n Easy film look: nest your entire sequence, untarget the audio tracks, and layer the nest on top of itself. Add a 10 pixel gaussian blur to the bottom layer by control clicking on the bottom nest layer and opening it in the viewer, then on the top layer change the composite to Screen, tehn add a grain noise layer, change its composite to Soft Light and lower the opacity a good bit in the time line. Nest these layers, open in the viewer, and tweak the brightness and contrast in the viewer Filter tab to bring down the brightness that the other effects have added. Then you can put a wide-screen mask on it.

8:54 p.m. Now he’s demoing the Mondo Titles effect – very nice – from the dvcreators.net Secrets of Final Cup Pro 2 CD. Worth the price of (I think) $79.

8:50 p.m. Eric is rapidly going through an extreme sports action video editing demo, including how to Nest a multi-layer Photoshop file as an animated title sequence; the fit to fill command; some basic compositing of the animation over the action; the Lower Third Text Generator, with a nice Gradient background behind it, with a deft use of the Crop tool to size the gradient itself; and another Gradient, with a Luma Composite mode, to change the transparency of the gradient. Nice nice nice. I’ll try to write through the steps tomorrow and post them.

8:39 p.m. Eric’s demo begins.

8:37 p.m. Question on Importing MP3 files: a problem for some folks. Why convert to AIFF in QuickTime before importing into FCP? So you don’t have to mix down your audio after every change in the timeline.

[Can I just say here how fun it is to post in real time as these editors discuss real-time video editing? Now, back to our meeting]

8:29 p.m. If this is the only thing any of us get from tonight, do this for your FCP system: turn off every extraneous extension on your system to preserve resources for FCP – even the system clock!. Thanks Walter.

8:25 p.m. Discussion of the Matrox RT-Mac card, which does some of what the Pinnacle does, but is not suitable for uncompressed or SDI or other higher-data rate formats. That said, it’s nice for editors who only work in MiniDV or other “small” formats. I’ll need more specifics now to make sure I got that right, so caveat lector on this entry.

8:20 p.m. Now a quick demo of exporting ref movies from FCP to Cleaner or another compression app. The nub of it: do not check the “Make Movie Self-Contained” in the export dialogue box. Uncheck it. What you get is a Ref Movie file which is a pointer to your captured clips and appropriate render files which the compression app works with to make the final compressed movie file. Cool (I knew about this – I should have written it up before! Sorry!)

8:10 p.m. Check out trapcode.com for a good lighting effects plugin called Shine for only $79.

8:05 p.m.It’s the Pinnacle Cinewave with new RT drivers—in its final round of beta testing, he’s one of 20 beta testers worldwide— which runs beautifully with uncompressed video, SDI, HD, other formats and a confusing array of frame rates. Very happy, he says, and we’re the first in the Southeast to learn of it. Cool.

7:50 p.m. He-e-e-e-re’s Walter of D’arte Media (sp?) to announce Pinnacle RT solutions, about to emerge from beta to release. I’ll make sure to get the specifics asap.

7:50 p.m. The new User’s Group URL: www.d-film.com.

7:45 p.m. The inevitable FCP-Avid comparison.

7:42 p.m. Promised a demo of a brand-new—released today—real-time hardware product. We’ll see.

7:40 p.m. I just volunteered to do a TypeStyler demo at a future meeting.

7:25 p.m. I’m blogging live from the brand new Atlanta Final Cut Pro Users Group meeting. So far, just logistics and tentative discussions about future meetings and formats. Eric Schultheis of dvcreators.net will gived a presentation shortly.

The DV Expo next month should be a great conference for learning about every aspect of digital video—from desktop basics to sophisticated distribution strategies. The conference-at-a-glance shows many excellent workshops and keynotes. The emphasis is on business, but any savvy educator has much to learn. If you’re going, send me a brief report.

2-pop has a fine introduction to editing with Final Cut Pro called Slice and Dice. ——-

November 8, 2001 at 8:55 am Comments (0)

New QuickTime Tools

2-pop has a fine introduction to editing with Final Cut Pro called Slice and Dice.

Thanks again to Judy and Robert’s Little QuickTime Page for these updates:



  • Totally Hip Software has released HipFlics 1.1, a video file compression utility with a MSRP of 99.95; educational pricing available via email. Their blurb: Add in batch-processing, cropping, rotating, watermarking, filtering effects and its “Before & After” feature that allows you to preview your settings before processing and the choice is clear – HipFlics, for a quick fix of your flics.
  • A new public preview of QuickTime Streaming Server.
  • The new Star Wars: Episode II teaser trailer is out. Let’s hope this episode is better than Episode I….

Not a video item, but who doesn’t search the Web with Google? Now use Google from the taskbar without even opening a browser if you’re using Windows 98 or 2000 and IE 5.5 or later with Dave’s Quick Search Taskbar Toolbar Deskbar,from David Bau, who is apparently some kind of really cool guy.

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November 7, 2001 at 10:38 am Comments (0)

QuickTime VR Research Links

I’m exploring QTVR authoring for a number of projects, and I’ll post links here as I come across them.——-

November 6, 2001 at 2:51 pm Comments (0)

Many Meanings For Video Today

Many Meanings For Video Today

I’m posting three days’ worth of links today. Lots of good things to link to.

First, ‘video’ today means is Virtual Reality—specifically, authoring QuickTime VR. I’ve been assigned to explore some of its possibilities… likely more to come on this.

The second and third links go to Ken Stone’s Final Cut Pro page. He has posted some new articles, one for creating titles for Final Cut Pro with TypeStyler, the other on mastering Final Cut’s Browser window.

The TypeStyler article discusses uses for this very friendly application for—as the name suggests—styling text. TypeStyler, from Strider Software, has built-in templates make is humongously easy to add layers, paths, 3D effects and a host of fills to any type of text and to export it in Photoshop or Illustrator formats, so you can import them into FCP with all the layers intact. The styling tools are very easy and intuitive, and even though Photoshop 6 has improved its text tools considerably, TypeStyler has a big edge in ease of use.

The article on the FCP Browser window looks at some of the many ways it can help you organize your projects. From author Kevin ‘Telly’ Monahan’s summary:

After reading this article, my hope is that you have not only learned more about the Browser, but you have an idea of its power and flexibility, as well. Now that you have some strategies in place in getting more use out of the Browser, you will certainly be able to get your project completed more quickly and efficiently utilizing this amazing interface called the Browser.
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November 6, 2001 at 8:49 am Comments (0)

Quick and Not So Dirty

Not officially in the office today, but I couldn’t resist crowing about the new system. In early September, an Egyptian colleague visited Professor Harry Dangel, a Special Education professor and former Interim Director of Instructional Technology. Harry taped much of his inquiries around our college and in a local school over a number of days.

I captured and compressed a large batch of clips two times with Cleaner 5 on the new G4, and each batch of nearly twenty clips finished in less than half an hour. On the first batch I used a default setting in Cleaner for a QuickTime format for small progressive download, and interlacing artifacts made it look crummy. So, I altered the settings and recompressed, and they looked great, and each clip was less than 900k! I’m very impressed, and I hope to explain the settings I used in my updates next week.

Have a nice weekend.——-

November 2, 2001 at 8:17 am Comments (0)

The Upgrade Saga

The Upgrade Saga

Migrating to the new machine I mention below, I’ve tried to move some of the IDE drives I had in the old one into the new one, but—of course—I had some problems. One of the power supply pins on one of the drives broke its connection to its circuit board, and the consensus of everyone I ask is “It’s toast.” Nuts.

But the other drives move over okay, and they’re the vital ones, so good for that. Tonight or tomorrow I move the critical project, not fully backed up of course, to the new system. Many supplications to the supernatural will accompany its change over.

The New Box Rocks

Just composited a five-layer title sequence – nothing really fancy, just a title fading in with four words beneath it, each fading in a second apart – that rendered in close to real time in Final Cut Pro. The machine is a PowerMac G4 with dual 800 mHz processors. It is making my editing jobs easier – oh my yes.

Judy and Robert Find the Goods

They’ve posted another week’s worth of QuickTime related updates.
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November 1, 2001 at 9:14 am Comments (0)

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