DV for Teachers

Logging and Capturing Strategies from DV Magazine: ”[U]nlike linear, logging for NLE became an integral part of editing methodology. As the logging process moved to the computer, it also became a selection process, the first culling of the video, often quite severely, perhaps down to a finished ratio of 10:1. This may seem like a high ratio, but when you start with camera operators shooting cheap videotape (as opposed to shooting on expensive film), source-to-final ratios of 50:1 or 100:1 are not unusual. That first culling of footage became a substantial commitment to the direction, focus, and even structure of the final product.” A cogent explanation of a vital but often tedious process. A must read.

Wired 10.02: The In Crowd: “The In Crowd – Need a metafilter to make sense of your info-soaked world? Meet the minds behind five elite email lists.” Though it isn’t specifically related to DV or education, this Wired article talks to five people who use the communication capabilities of the web in powerful ways.

Yesterday’s QuickTime Announcements have generated a lot of reportage on the various news sites, but little comment other than about the MPEG-4 licensing issue. Bill Bernat at Streamingmedia.com covered the crux of the controversy in an interview Larry Horn, VP of Licensing with MPEG LA, last week:

“The use fee of two-cents per hour of content served/streamed has generated the most heated debate….”

So, rather than a one-time fee, it’s an ongoing assessment, even on educational use of MPEG-4 streams:

“When asked about more complex scenarios such as education streams or free streams with in-stream or near-stream (HTML surrounding a stream) advertising, Horn repeated the axiom, ‘If there’s remuneration, then the patent holders should be paid.’ For education streams, if part of a course costs money to take, then the fee would apply.”

So, if you charge tuition for the class, you’d have to pay the licensing fee for using their codec, which means keeping track of hours of (possibly on-demand)streaming and paying off the licensors…. A problem, no doubt. Read the article and make sure you understand the issues. Submit comments to the MPEG-4 Industry Forum here.

New Architect: The Crime of Sharing by john Perry Barlow: “For instance, lending a book to a friend is still all right, but letting him read the same book electronically is now a theft.” Though college students have led the way in utilizing/exploiting Napster and other sharing programs, the rigid rules and their enforcement may have sever effects on educators who depend on multimedia and its creation.
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February 13, 2002 at 8:56 am Comments (0)

News from QuickTime Live: Phil Schiller of Apple announced QuickTime 6 (with MPEG-4 support once the licensing gets ironed out), new QuickTime Broadcaster, and “the Ericsson Content Delivery Solution,” a partnership with Ericsson and Sun, which will “enable network operators to deliver standardized multimedia content to a variety of wireless devices including mobile phones and PDAs.” This last one sounds dodgy to me. First notice via
[MacNN]; Judy and Robert will no doubt have much to say about all of this next week.

Think about this: “...when the QuickTime Broadcaster and QuickTime Streaming Server are running on Appleís PowerBookÆ G4 or iBookÆ laptop computers, the combination provides a uniquely flexible, mobile broadcast solution” (from Apple’s press release).

What could that mean? With OS X Server software and the free Broadcaster on a laptop – a laptop – send your student teacher to a classroom, have him connect laptop to the school network and hook up a DV camera to the Firewire port on the computer, fire up the Broadcaster, and – firewall willing – stream the video back to the college and assess that student teacher in realtime.

Or let students produce live webcasts behind the school’s firewall – if your school doesn’t have video cabling but it does have a network, you have the infrastructure. All you need is the server (starts at $299 for education) and a video camera. Well, and some creative juices, too.

This is cool stuff.

Judy and Robert won’t be updating the Little QuickTime Page this week; they’re presenting at and keeping up with the QuickTime Live Conference going on this week in Los Angeles. I am very eager to see what they learn in the sessions and workshops they have. QuickTime undoubtedly allows end users (Teachers!) to develop multimedia more easily than any other platform or architecture.

LAFCPUG Next Meeting: “Its audio night for the next meeting of the lafcpug” and you can count on a link here when they post the minutes of that one. These guys are closest to the center of the DV production world, and their tips and advice are hard-won, generously shared, and worth learning.

Disappointment at 2-pop with their new “2-pop Final Cut Pro News section, ostensibly by “2-pop and Videography Magazine.” I really like the resources 2-pop makes available, but this is not a news section; they’ve just posted summaries of press releases for products from Adobe, Pinnacle, Promax, and others. They’re good vendors, with good products but this is not news and shouldn’t be called that.——-

February 12, 2002 at 8:41 am Comments (0)

Lots of good tips today. I love the Web!

Boston Final Cut Pro Users Group Welcome to our permanent front-page links.

Build a Guerrilla Sound Booth: “Is there a way to create an announce booth for occasional use, one that is easy and cheap to build, doesn’t require much space, and can be set up and removed easily? Yes, there is, and there are several ways to do it.” From Videomaker Magazine.

“Free Online Final Cut Pro Training” at DVcreators.net: Look for “click here to visit our Final Cut Pro PowerStart page, then scroll to the bottom” in the black banner near the top of the home page, click the link, and scroll to the bottom for three very good QuickTime movies explaining valuable tips in FCP 3. The color correction tutorial is almost five minutes and explains this tool very, very well. [Update: These are savable if viewed on a Mac.]

SCHOOLTV.COM: “Welcome to SCHOOLTV.com—your web-site for news and information about the exciting world of school-based television production.” Surprisingly good and comprehensive site about teaching video production in schools by a couple of veteran Florida teachers. Well worth a look if you do the same. Many thanks to My Favorite Media Specialist for the link.

FCP 3 Integrated Manual Indices, a combination of all the index entries in the four volumes (four!!) of FCP manuals included with the program. Color-coded for quick access, this should greatly speed the location of the tip you need when you need it. Posted by Ben Bryant.

Audio Director’s ONE TAKE Mixer: “These mixers are perfect for location or studio DV production. They’re even quiet enough for post production mixing or recording. The missing link has been invented to bring audio for DV into a new level of professionalism.” Curtis McCosco reviews it for kenstone.net.
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February 11, 2002 at 8:55 am Comments (0)

Watch for a new look at DV for Teachers soon.

I’m doing a brief demo of Final Cut Pro 3 on OS X for the folks at GSTV in about an hour. I haven’t worked with it too much since we got it in; I’ve been working on this blog and other projects. It’ll be good to get my hands on FCP again.

Digital Producer covers Shooting DV in Extreme Situations: “In this five minute interview, we talked with Darryl Czuchra, director of Anyplace Wild, a four-year-old cable TV series co-produced with Backpacker Magazine that takes you every place, from the slopes of the Scottish steppes, to the jungles of Belize, all with the help from the latest DV gear from Sony and Canon.” Engaging article about how this gear allows new possibilities for location shooting with great quality. Teachers, students, open up your mind to what these tools can do.
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February 8, 2002 at 7:51 am Comments (0)

Apple posts “Knowledge Base: Recent Changes”, including several Keyboard Shortcuts for Final Cut Pro 3. They are in the online help, too, but they’ve posted them online as well.

Great thread at the DV for Teachers Discussion at 2-pop about Teaching Methods / Exercises for middle and high schools. Using initially unrelated snapshots as the basis for a story; expressing one emotion, then another, using only lighting, composition and editing; other great ideas. One of the more fertile discussions there. Go!

Ken Stone on iDVD: “The iDVD software is a little squirrely. My remote would sometimes disappear from the screen, dragging long lists of slides into the slide dialog box was a bit of a problem, they did not always want to go into the window. There are a few other oddities as well. But, all in all, iDVD works and the DVD disk plays with no problems other than the Slide Show problem. This is exciting stuff.” First published at kenstone.net but worth a re-link.

Adam Bell reviews The Art of Cartooning with Flash: “The Art of Cartooning with Flash is one of the best books I’ve seen to show how to create professional cartoons using Flash.” Flash will export QuickTime, which means you can make movies with it, not just web animations… make and export to video if you want. Great idea; make animations for your classes, or have your classes make them as part of their projects. I wonder if there are lesson plans for something like this?
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February 7, 2002 at 8:15 am Comments (0)

Pros Moving Away from Mac?

Bill Machrone at PCMag.com: “Video professionals were quick to assure me that the pros are moving away from the Mac platform, finding more power and flexibility in PCs.” Spin spin spin. This in response to an earlier article about trying to edit video on a PC and all the trouble he encountered. The earlier piece ended this way: My wife, bless her heart, asked, “How do normal people do this?” Drew and I answered in unison, “They buy a Mac.”

According to the message boards at the site when I checked this morning, only 23 people had written in response to the article, and many were pro-Mac; from this self-selected, only partially PC-centric group, he determines that “pros are moving away from the Mac platform.” He mustn’t read much of the video professional trade press coverage of such things, or what other video pro associations say about it. Well, we can’t know everything, can we? Here’s Video Systems in their January issue on Final Cut Pro:

If the goal of a Vanguard is to cause a commotion, Final Cut Pro was the easiest call our judges ever had to make. When it first appeared at NAB ‘99, the buzz at the Apple starship was intense, as people crowded around to gawk, argue, marvel, and speculate. You didn’t want to sound too convinced (what if there was a catch?) or too skeptical (what if this was the next big thing?). Indie filmmakers claimed FCP as their own, but now there are FCP-cut commercials and entire news crews toting FCP-equipped laptops. Collaborations with Matrox and Pinnacle have produced eye-catching products, though not without pain. FCP hasn’t unseated Avid for those who need Avid, but for others it’s a potent option for one-tenth the price. On the other side of the coin, FCP has usurped Premiere in the hype wars and put Adobe in the position of proving its relevance. All this for less than $1,000.

Tech journalists get away with not doing their homework all the time. Sheesh.

SuperVideo blurbs the JVC GY-DV300U Streamcorder: Powerful 3-CCD imaging, 12-bit DSP and 14x zoom lens for superior performance.” It also encodes MPEG-4 on the fly for use as a web cam. No pricing info yet.

The Little QuickTime Page
Good updates again this week. Of particular note: updates of Toast from Roxio; new QT codec; and news about licensing MPEG-4, which may be the future of video distribution.

Ned Soltz at LAFCPUG

“Apple paid the ultimate compliment to CGM-Filters Volume 1; it licensed the product for inclusion in Final Cut Pro 3. So, whenever you pull down your effects menu and see the subheading DVE Effects, you benefit from the addition of these amazing filters.”
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February 6, 2002 at 9:33 am Comments (0)

Jeff Carlson in TidBITS: Dipping into Digital Video: “In short order, the iMovie 2 application previously taking up space on my hard disk became an invaluable tool for turning my raw video footage into something I’d be proud to show off to friends and family.” A tech-savvy writer with no video experience delves into iMovie and likes it. Not a surprise, really….
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February 5, 2002 at 8:44 am Comments (0)

Tom Hallaq in the Discussion Group
“I have been encouraged to do more to develop this into a full-time venture. As I have tried to think out this process, I have come up with something which sounds very much like what you are doing and would like to get some info from you on how to go about this.”

Trish and Chris Meyer, Motion Graphics Superstars:

Digital Video: Retro 3D: “Making older 3D plug-ins follow cameras in After Effects 5.0:
After Effects 5.0 introduced the concept of native 3D space—every object can be placed or rotated in 3D space, and After Effects’s own camera can fly around them. This is extraordinarily cool, but the objects still have the inherent limitation of being 2D images. If you view them on edge, they disappear like a sheet of paper.”

Ken Stone’s Latest
Book Review – Nonlinear 4: “Last week I discover a book “Nonlinear/4” written by Michael Rubin. I can best describe this book as a complete reference guide to all things video. But its actually more.”——-

February 4, 2002 at 7:55 am Comments (0)

I have a day off today. New stuff Monday – have a good weekend.——-

February 1, 2002 at 12:30 pm Comments (0)

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