Steve Martin of Ripple Training, on Ken Stone’s site: Managing Your FCP X Events & Projects using Disk Images. This looks like an excellent workflow. Haven’t upgraded/downgraded/sidegraded to FCPX yet, but I know I will, and this will make working with it so much easier. A real find.
Well, I am re-evaluting my opinion of the not-so-new “new” iMovie. I was so used to the older version, iMovie HD, which had been expanded but not fundamentally changed, since it was introduced in 1999 (Ten years? Yow).
Ken Stone, a source for so much great Final Cut information, posted the most complete one-page overview of iMovie I’ve ever seen. He loves it:
So why am I writing about iMovie 09 if I work in FCP? The answer is simple. At the demonstration I saw a number of features in iMovie 09, that I wished were in FCP and I wondered if there was a way to use iMovie 09 in conjunction with FCP, utilizing some of its features to supplement the FCP workflow, most importantly in the rough cut phase of editing, as ‘09’ has an amazing skimming/edit tool. iMovie also sports a new and modern tool for exact clip trimming, the Precision Editor, and it’s stunning. And, iMovie provides full Real Time playback, no rendering required, ever.
iMovie is very intuitive and easy to use, despite the fact that it has some very advanced features, features that it would be nice to see incorporated into Apple’s other editing application, Final Cut Pro. iMovie is a very modern editing application and it works in a much more visual way than editing applications that were first created over a decade ago. This graphical aspect of iMovie is more persuasive and powerful than one might first suspect. And don’t let the fact that iMovie ships in the iLife package and comes free on new Macs fool you, this is an amazingly modern and capable editing application.
The article has 25 sections in a single page, all linked for easy navigations, and it’s full of screenshots to illustrate just what Ken likes and why. Ken even provides instructions for downloading and saving the page for offline use—printed it would go to more than 120 pages!
This is not only a detailed examination of iMovie but a great and generous example of technical writing
Ahh, formats. There are so many: still using DV tape? Or have you switched to a DVD-based MPEG-2 format? Maybe you use a hard-drive or flash-memory kind of camcorder? Whichever you use, do you know the ins and outs of what it takes to edit that format properly? You need to make sure your system is up to the task, but what about that codec, and I need to output to DVD and the web, but yikes everyone looks blue in that shot, andů.
We don’t have all the solutions here, but Andrew Balis, a long-time contributor to Ken Stone’s site and major FCP maven, provides one piece of the puzzle as he explains Color Workflows With Different Types of Sources:
One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color. This article relates to users of Color version 1.0.2 or later. Well look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV.
Even if your footage is color correct from the word “Action!”, if you need some help understanding aspects of the different types of video, this article is worth reading and bookmarking.